[1]梁梅.《古诗十九首》与古典文学写悲抒情传统[J].西华师范大学学报(哲学社会科学版),2014,(06):29-32.
 LIANG Mei.Nineteen Ancient Chinese Poetries and the Sadness Expression Tradition in Classical Literature[J].Journal of China West Normal University(Philosophy & Social Sciences),2014,(06):29-32.
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《古诗十九首》与古典文学写悲抒情传统
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《西华师范大学学报(哲学社会科学版)》[ISSN:1672-9684/CN:51-1674/C]

卷:
期数:
2014年06期
页码:
29-32
栏目:
出版日期:
2014-11-25

文章信息/Info

Title:
Nineteen Ancient Chinese Poetries and the Sadness Expression Tradition in Classical Literature
作者:
梁梅12
1.宁夏大学文学院,宁夏 银川750021;2.华东师范大学人文学院,上海200240
Author(s):
LIANG Mei
1.School of Chinese Language and Literature,Ningxia University,Yinchuan 750021,China; 2.School of Humanities,East China Normal University,Shanghai 200240,China
关键词:
悲情抒情传统《古诗十九首》
Keywords:
sadness expressionlyric tradition Nineteen Ancient Chinese Poetries
分类号:
I207
文献标志码:
A
摘要:
《诗经》《楚辞》共同奠定了中国古典文学写悲抒情传统,然而汉代由于大赋兴起却逐渐淡薄。《古诗十九首》延续了《诗经》《楚辞》抒情特色,采用悲情意象和鲜明的对比,运用大量叠字,甚至以乐写悲,营造出浓重的悲怨底色。这种写悲抒情传统极大影响了建安诗歌,同时对后世文学而言又具有典范性的审美价值。
Abstract:
Both The Book of Songs and The Songs of Chu established the lyric tradition for sadness expression in classical Chinwe literature. However,in the Han Dynasty,the colour of it faded with the development of Hanfu. Nineteen Ancient Chinese Poetries continued the expression peculiarity of them by means of the saddest images,sharp comparison,lots of reduplication and even used sorrowful happiness to create a dense sorrowful base color. The lyric tradition for sadness expression not only influenced the poems in Jianan period but also had the exemplary aesthetic value for the later literature.

备注/Memo

备注/Memo:
收稿日期:2014-07-17 作者简介:梁梅(1978-),女,宁夏银川人,宁夏大学人文学院讲师,华东师范大学人文学院博士研究生,主要从事唐宋文学研究。
更新日期/Last Update: 2014-11-25