[1]徐菁菁.从“不问四时”看禅宗对王维水墨画 构图观的影响[J].西华师范大学学报(哲学社会科学版),2014,(04):33-37.
 XU Jing-jing.On Zens Influence on Wang Weis View of Compositions of Ink and Wash Painting from the Perspective of “Without Regard for the Four Seasons”[J].Journal of China West Normal University(Philosophy & Social Sciences),2014,(04):33-37.
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从“不问四时”看禅宗对王维水墨画 构图观的影响
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《西华师范大学学报(哲学社会科学版)》[ISSN:1672-9684/CN:51-1674/C]

卷:
期数:
2014年04期
页码:
33-37
栏目:
出版日期:
2014-07-25

文章信息/Info

Title:
On Zens Influence on Wang Weis View of Compositions of Ink and Wash Painting from the Perspective of “Without Regard for the Four Seasons”
作者:
徐菁菁
北京大学哲学系,北京100871
Author(s):
XU Jing-jing
Department of Philosophy, Peking University , Beijng 100871,China
关键词:
王维不问四时禅宗水墨画
Keywords:
Wang Wei “without regard for the four seasons” Zen ink and wash painting
分类号:
B946
文献标志码:
A
摘要:
唐代王维作画,经常违背现实世界的时令,张彦远称之为“不问四时”。“不问四时”是一种审美选择,是王维创导的一种新的审美风范,对后世影响深远。本文认为“不问四时”与禅宗思想有着密切的关联。王维正是在禅宗思想影响下创作出这类画作,也是以“不问四时”这一荒诞的形式,来表达他心中的禅意。
Abstract:
In the Tang Dynasty, the themes of Wang Weis ink and wash paintings were often created in antiseasonal ways, which was cited as “without regard for the four seasons” by Zhang Yanyuan. This style was a new aesthetic choice first led by Wang Wei, and it actually had a farreaching influence on the posterity. The main purpose of this paper is to demonstrate “without regard for the four seasons” is associated intimately with Zen. Under the influence of Zen, Wang Wei created this kind of paintings. He used this absurd form to express his own understanding of Zen.

备注/Memo

备注/Memo:
收稿日期:2014-04-23 作者简介:徐菁菁(1977- ),女,浙江温州人,北京大学哲学系博士,主要研究中国艺术与中国美学。
更新日期/Last Update: 2014-07-25